Images can be modified and be used for commercial purposes without fee under the license.
Next keyword "a fault"
Click the thumbnail to look.
You can search the image by entering the keyword in the following box.
Back | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] | Next |
---|
It is the lens of the lighthouse of Meiji-mura Village Museum. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is an official dwelling attached to the Kan Island lighthouse of Meiji-mura Village Museum. I put wooden Hiroshi hut on the wall of the building in brick and cover a pantile. The doorway attaches a louver to the double glass door, and after all the window keeps a louver at Age lower window. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 15535 x 6164Pixels |
It is the Shinagawa lighthouse of Meiji-mura Village Museum. This lighthouse was built in the west end of Daiba of the Shinagawa offing, and it was turned on in 1870 in the Christian era. By light by the oil 100 candelas, high source of light from the ground16m, the distance to arrive of the light are recorded with about 18km in the 5.8m surface of the sea. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Shinagawa lighthouse of Meiji-mura Village Museum. This lighthouse was built in the west end of Daiba of the Shinagawa offing, and it was turned on in 1870 in the Christian era. By light by the oil 100 candelas, high source of light from the ground16m, the distance to arrive of the light are recorded with about 18km in the 5.8m surface of the sea. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is an official dwelling attached to the Kan Island lighthouse of Meiji-mura Village Museum. I put wooden Hiroshi hut on the wall of the building in brick and cover a pantile. The doorway attaches a louver to the double glass door, and after all the window keeps a louver at Age lower window. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5400 x 3600Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
Back | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] | Next |
---|