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It is the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is a cedar coin in accord with the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is a cedar coin in accord with the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is a puncheon in accord with the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is a puncheon in accord with the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the world wine cellar of the chrysanthemum of Meiji-mura Village Museum. Two-storied house part and 2 ken in width (about 3.) that I painted 18 ken of nine ken of (about 16m) length of a crossbeam (about 33m) between the beam, outer wall with a thick earth wall in a storehouse of the Japanese-style tile-roofing and turnedOf 6m) blow, and consist of eaves parts. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Yoshiyuki Hongo floor (the left) of Meiji-mura Village Museum and a house of the Yakumo Koizumi summering (the right side). It is the new home which two ken of the second floor of the Yoshiyuki Hongo floor makes mother and wife Setsuko, eldest daughter Kyoko whom Takuboku Ishikawa leaned on friend Iku Miyazaki of Hakodate you, and lived a family life for the first time in Tokyo from 1909. The woodpecker worked at the Tokyo Asahi Shimbun proofreading department of Kyobashi Takiyamamachi while therefore living a literature life. A house of summering built in the Meiji early years is a frontage5.5m, depthIn Machiya of 13.2m, I set a Japanese-style board long on the entire surface on wooden 2 stories crosspiece tile-roofing, both sides. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Brazilian emigrant house of Meiji-mura Village Museum. It is the one of the houses which it opens up a dense forest in spite of being a stack, and made a hard fight for the coffee cultivation that the Japanese emigrant that there is this building isn't used to. With hard wood of existing Chisan, the hand by the Japanese carpenter in the settler enters, and a Japanese-style method of construction is used in a roof truss, a coupling, means. On the other hand, I can put it together in the roofs which covered the window which I added the porch which I established in the second floor and a single swing wooden door to, Spain tile climate of the land. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is a table of Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |