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It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 5616 x 3744Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 5616 x 3744Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 5616 x 3744Pixels |
It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Republic of Korea / Jeju Island |
Size: | 3744 x 5616Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, the neutralization gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the light gate of the virtue Kotobuki shrine. The central temple bell told it about time with this bell with a bell of the Korea tradition in the Korea times. The pipe with the pattern of the central right dragon is JADGYOL. JADGYOL seems to have been a high-performance clock, but it is unknown how you worked. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5587 x 3671Pixels |
It is the gate of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate of the arch of the brick of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
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