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keyword "the christian era" Part.14
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No.9371 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9370 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9369 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9368 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9367 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9366 Meiji-mura Village Museum Rohan Kouda house [a snail hermitage]
![photo,material,free,landscape,picture,stock photo,Creative Commons,Meiji-mura Village Museum Rohan Kouda house [a snail hermitage], tokonoma, tatami mat, hanging scroll, Cultural heritage](../sumb/yun_9366.jpg)
| It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9365 Meiji-mura Village Museum Rohan Kouda house [a snail hermitage]
![photo,material,free,landscape,picture,stock photo,Creative Commons,Meiji-mura Village Museum Rohan Kouda house [a snail hermitage], The entrance, round window, In the days of the deep red dew, Cultural heritage](../sumb/yun_9365.jpg)
| It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 3744 x 5616Pixels |
No.9364 Meiji-mura Village Museum Rohan Kouda house [a snail hermitage]
![photo,material,free,landscape,picture,stock photo,Creative Commons,Meiji-mura Village Museum Rohan Kouda house [a snail hermitage], building of the Meiji, The Westernization, In the days of the deep red dew, Cultural heritage](../sumb/yun_9364.jpg)
| It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9363 Meiji-mura Village Museum Mataemon Shibakawa's house
| It is Mataemon Shibakawa's house of Meiji-mura Village Museum. It is the European-style building which fused by European Glasgow group and Sezession of Vienna and the tradition of the Japanese building including the free-standing tea ceremony room. Enlargement of a building and renovation was accomplished several times, and put it together in the sum building enlargement in 1927 in the Christian era, and I was big, and it was changed in the decorations of the European-style building figure which I watched this time. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 3744 x 5616Pixels |
No.9362 Meiji-mura Village Museum Mataemon Shibakawa's house
| It is Mataemon Shibakawa's house of Meiji-mura Village Museum. It is the European-style building which fused by European Glasgow group and Sezession of Vienna and the tradition of the Japanese building including the free-standing tea ceremony room. Enlargement of a building and renovation was accomplished several times, and put it together in the sum building enlargement in 1927 in the Christian era, and I was big, and it was changed in the decorations of the European-style building figure which I watched this time. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 3744 x 5616Pixels |
No.9327 Meiji-mura Village Museum telephone
| It is a telephone in accord with Meiji-mura Village Museum. I am made in 1969 in push Horne in the Christian era. | |
| Camera: | Canon PowerShot S90 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 2736 x 3648Pixels |
No.9326 Meiji-mura Village Museum telephone
| It is a telephone in accord with Meiji-mura Village Museum. I am made in 1962 with a 600 type automation desk telephone in the Christian era. | |
| Camera: | Canon PowerShot S90 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 2600 x 3091Pixels |
No.9325 Meiji-mura Village Museum telephone
| It is a telephone in accord with Meiji-mura Village Museum. I am made in 1950 with a 4 automation desk telephone in the Christian era. | |
| Camera: | Canon PowerShot S90 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 3648 x 2736Pixels |
No.9324 Meiji-mura Village Museum telephone
| It is a telephone in accord with Meiji-mura Village Museum. I am made in 1953 with the telephone that a 23 automation wall takes it in the Christian era. | |
| Camera: | Canon PowerShot S90 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 2689 x 3176Pixels |
No.9323 Meiji-mura Village Museum telephone
| It is a telephone in accord with Meiji-mura Village Museum. I am made in 1950 with a 4 cotrain-type desk telephone in the Christian era. | |
| Camera: | Canon PowerShot S90 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 3648 x 2736Pixels |
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