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It is a bird of the Galliformes Phasianidae peacock genus, the albino of the Indian peacock (India peacock). It is Pavocristatus a scientific name. Inhabit in the vicinity of India; full lengthI become around 2.3m. I open a feather. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Kanagawa Prefecture |
Size: | 5616 x 3744Pixels |
It is a bird of the Galliformes Phasianidae peacock genus, the albino of the Indian peacock (India peacock). It is Pavocristatus a scientific name. Inhabit in the vicinity of India; full lengthI become around 2.3m. I fold a wing. | |
Camera: | Canon EOS-1Ds Mark III , EF 300mm F4L |
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Location: | Japan / Kanagawa Prefecture |
Size: | 5392 x 3656Pixels |
It is a dove, the domestic pigeon which were in Kyoto. I say a rock dove formally. Originally it was a wild bird, but, with a bird of the eyelet / dove department, it was become poultry as food and message use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Kyoto |
Size: | 5200 x 3484Pixels |
It is a dove, the domestic pigeon which were in Kyoto. I say a rock dove formally. Originally it was a wild bird, but, with a bird of the eyelet / dove department, it was become poultry as food and message use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Kyoto |
Size: | 4692 x 3612Pixels |
It is a dove, the domestic pigeon which were in Kyoto. I say a rock dove formally. Originally it was a wild bird, but, with a bird of the eyelet / dove department, it was become poultry as food and message use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a dove, the domestic pigeon which were in Kyoto. I say a rock dove formally. Originally it was a wild bird, but, with a bird of the eyelet / dove department, it was become poultry as food and message use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a dove, the domestic pigeon which were in Kyoto. I say a rock dove formally. Originally it was a wild bird, but, with a bird of the eyelet / dove department, it was become poultry as food and message use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Kyoto |
Size: | 4772 x 3592Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5603 x 3728Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Korean world heritage, the Dunhua gate of the front gate of the Akitoku shrine. It is erection, the existing oldest front gate at 1608 for 1,412 years. A big bell was hung in the gate tower of the second floor, and it was sounded in the morning in the evening. | |
World Heritage | Changdeokgung Palace Complex |
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Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Korean world heritage, the Dunhua gate of the front gate of the Akitoku shrine. It is erection, the existing oldest front gate at 1608 for 1,412 years. A big bell was hung in the gate tower of the second floor, and it was sounded in the morning in the evening. | |
World Heritage | Changdeokgung Palace Complex |
---|---|
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
Location: | Republic of Korea / Seoul |
Size: | 11571 x 5777Pixels |
It is Korean world heritage, the Dunhua gate of the front gate of the Akitoku shrine. It is erection, the existing oldest front gate at 1608 for 1,412 years. A big bell was hung in the gate tower of the second floor, and it was sounded in the morning in the evening. | |
World Heritage | Changdeokgung Palace Complex |
---|---|
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
Location: | Republic of Korea / Seoul |
Size: | 11272 x 5484Pixels |
Clear Ming Itizyou return to the shrine stone bridge. Abe no Seimei is a clear-Ming shrine to the shrine erected in 1005. Abe no Seimei most famous of the Heian period Onmyoji. At the time cutting-edge magic, science, "astronomical road" yin and yang, such as fortune-telling and technology experts from the streets, many in the mystery of a legendary story gave birth to | |
Camera: | Canon EOS-1Ds Mark II , Distagon 21mm F2,8 |
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Location: | Japan / Kyoto |
Size: | 4992 x 3328Pixels |
Abe no Seimei is a clear-Ming shrine to the shrine erected in 1005. Abe no Seimei most famous of the Heian period Onmyoji. At the time cutting-edge magic, science, "astronomical road" yin and yang, such as fortune-telling and technology experts from the streets, many in the mystery of a legendary story gave birth. | |
Camera: | Canon EOS-1Ds Mark II , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Kyoto |
Size: | 4992 x 3328Pixels |