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It is a table of Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Aichi Prefecture |
Size: | 9034 x 5820Pixels |
It is a table of Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is Saigo Juudo's house of Meiji-mura Village Museum. Saigo Juudo, the brother of Takamori Saigou built this European-style building of the carving wood total 2 stories copper thatching the roof with shingles in an own residence of Kamimeguro, Tokyo in about 1877 in the Christian era. Saigo Juudo had much contact with the diplomat living in Japan with the person who was in the nucleus of the revolution government. Therefore I separated it from the Japanese-style main building a little and, in a large site as I was called [Mt. Saigo], established the full-scale European-style building as a place of the waiting on customers. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Imperial Guards station headquarters building of Meiji-mura Village Museum. It is, and, in this annex which finished painting an outer wall by wooden one-story house tile-roofing with the white plaster, the thin dish drainer bordering the arch gives a light impression to the opening that posted a light arcade in the front-like building. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the lofty building of the Japanese oldest high wooden building restored in Karako / key remains. The decoration of the eddy and the decoration of the bird are unique buildings. Karako / key remains are remains of the Yayoi period, and jade or earthenware vessels gather from the whole country, and it is thought that there was a foothold of important power to represent Japan in Yayoi period again because it was the main production place of the bronze bell-shaped vessel. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Nara Prefecture |
Size: | 5616 x 3744Pixels |
It is the lofty building of the Japanese oldest high wooden building restored in Karako / key remains. The decoration of the eddy and the decoration of the bird are unique buildings. Karako / key remains are remains of the Yayoi period, and jade or earthenware vessels gather from the whole country, and it is thought that there was a foothold of important power to represent Japan in Yayoi period again because it was the main production place of the bronze bell-shaped vessel. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Nara Prefecture |
Size: | 3744 x 5616Pixels |
It is the lofty building of the Japanese oldest high wooden building restored in Karako / key remains. The decoration of the eddy and the decoration of the bird are unique buildings. Karako / key remains are remains of the Yayoi period, and jade or earthenware vessels gather from the whole country, and it is thought that there was a foothold of important power to represent Japan in Yayoi period again because it was the main production place of the bronze bell-shaped vessel. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Nara Prefecture |
Size: | 3576 x 5466Pixels |
It is the lofty building of the Japanese oldest high wooden building restored in Karako / key remains. The decoration of the eddy and the decoration of the bird are unique buildings. Karako / key remains are remains of the Yayoi period, and jade or earthenware vessels gather from the whole country, and it is thought that there was a foothold of important power to represent Japan in Yayoi period again because it was the main production place of the bronze bell-shaped vessel. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Nara Prefecture |
Size: | 3744 x 5616Pixels |
It is the lofty building of the Japanese oldest high wooden building restored in Karako / key remains. The decoration of the eddy and the decoration of the bird are unique buildings. Karako / key remains are remains of the Yayoi period, and jade or earthenware vessels gather from the whole country, and it is thought that there was a foothold of important power to represent Japan in Yayoi period again because it was the main production place of the bronze bell-shaped vessel. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
---|---|
Location: | Japan / Nara Prefecture |
Size: | 6373 x 8360Pixels |
It is world heritage of Kyoto, soul Akira of the old aristocrat's house Imperial Palace of Ninna-ji Temple. The reproduction of the principal idol [a wooden The Buddha of Healing sedentary image] is put toward you. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
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Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
Location: | Japan / Kyoto |
Size: | 5565 x 3704Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |