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It is a creature of the feeler that there was to an atoll of Ishigaki-jima Island. I am charmed in very elegant figure form. | |
Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 50mm F2.8 EX DG |
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Location: | Japan / Okinawa Prefecture |
Size: | 1512 x 1177Pixels |
It is a creature of the feeler that there was to an atoll of Ishigaki-jima Island. I am charmed in very elegant figure form. | |
Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 50mm F2.8 EX DG |
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Location: | Japan / Okinawa Prefecture |
Size: | 2628 x 2007Pixels |
It is diesel DD53 for snow removing. Only snow removing 10km/h in speed turns into DD14 form which doesn't appear, and it is a diesel for high power snow removing using the power unit of DD51 form. This unit No. 1 played an active part in Hokkaido without only three planes being made. I gave the damage on a private house or a telephone pole in high power reason, and mountains district became for exclusive use. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Gunma Prefecture |
Size: | 3744 x 5616Pixels |
It is diesel DD53 for snow removing. Only snow removing 10km/h in speed turns into DD14 form which doesn't appear, and it is a diesel for high power snow removing using the power unit of DD51 form. This unit No. 1 played an active part in Hokkaido without only three planes being made. I gave the damage on a private house or a telephone pole in high power reason, and mountains district became for exclusive use. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Gunma Prefecture |
Size: | 3744 x 5616Pixels |
It is diesel DD53 for snow removing. Only snow removing 10km/h in speed turns into DD14 form which doesn't appear, and it is a diesel for high power snow removing using the power unit of DD51 form. This unit No. 1 played an active part in Hokkaido without only three planes being made. I gave the damage on a private house or a telephone pole in high power reason, and mountains district became for exclusive use. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Gunma Prefecture |
Size: | 5616 x 3744Pixels |
It is steam locomotive D51. I turn into conventional D50 form and reduce weight, and it is a born steam locomotive. It was produced as freight use at first, but I pull the passenger train, and 1,115 cars are made, and it is the best seller airplane which ran through the round back in during the second World War. I ran and went around the all over Japan by a pet name of Degoichi. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Gunma Prefecture |
Size: | 5118 x 3744Pixels |
It is galvanism locomotive EF63. As a prototype precedent by bank engine for exclusive use of the Usui mountain pass in 1962 this plane is developed. The turn of speed is the same as locomotive EF62 form for main line, but various devices are made on brakes. 25 cars in all were deployed in the Yokokawa engine department , all planes and finished the job with Usui Line by commencement of practice of the Nagano Shinkansen. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Gunma Prefecture |
Size: | 4532 x 3745Pixels |
It is galvanism locomotive EF60. EF60 form was born as the F form first high-performance electric locomotive in 1960 and this the 500th stands were produced as limited express train traction use afterward and led then star, the Kyushu limited express Blue Train and played an active part. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Gunma Prefecture |
Size: | 4791 x 3744Pixels |
It is great Tateishi of Koraku-en Garden. I broke 90 huge granite to several, and, with the thing which I built in original form, I hit a garden old, and Tsunamasa Ikeda let you carry it. The high largeheartedness only in the daimyo garden and processing technique of the stone is indicated. Bizen feudal lord Tsunamasa Ikeda completed Okayama Koraku-en Garden in 1700 in the Christian era for 14 years. I take in crow Castle, a chastity mountain for making use of the surrounding landscape in the design of a garden mainly on in area about 13ha and Enyoutei of the main building in a strolling garden representing the Edo era, and I post buildings in the various places of the garden, and they have an each view and come to enjoy the scenery which changes while walking. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Okayama |
Size: | 5616 x 3744Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5400 x 3600Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is seven Kyoto Jo police boxes of Meiji-mura Village Museum. It is a wooden building, but I model it on a popular building in brick Western-style building in those days and raise a makeup brick and put an obi of the plasterer finish. The slow roof and kamaboko of the incline-shaped entrance eaves are copper thatching the roof with shingles low. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,17 |
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Location: | Japan / Aichi Prefecture |
Size: | 5484 x 3656Pixels |