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It is the Miyazu court of law court of Meiji-mura Village Museum. In the form of government book of 1868 (1868), I divided power of the emperor's reign official in the three branches of government of a legislation / administration / the administration of justice, and the independence of the judicial power did it. The Criminal Procedure Act of the French law system was determined in 1882, and it revised the Criminal Procedure Act for 23 years, and the Criminal Procedure Code was established. The Miyazu court of law is built in 1886 of such judicial system establishment period, and this court is the part. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5484 x 3656Pixels |
It is the Takata Oguma photo studio of Meiji-mura Village Museum. It is 1840's in the Christian era that photography was brought over in Japan. The photographer got an expensive income and big fame for a flower-shaped occupation of the Westernization in those days. It is a plain photo studio of Western-style wooden 2 stories built (1908) at the time in crab that this building is a town of Echigo Takata, 1908. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Miyazu court of law court of Meiji-mura Village Museum. In the form of government book of 1868 (1868), I divided power of the emperor's reign official in the three branches of government of a legislation / administration / the administration of justice, and the independence of the judicial power did it. The Criminal Procedure Act of the French law system was determined in 1882, and it revised the Criminal Procedure Act for 23 years, and the Criminal Procedure Code was established. The Miyazu court of law is built in 1886 of such judicial system establishment period, and this court is the part. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the inside of the fabrics for kimono seat of Meiji-mura Village Museum. This playhouse to leave the remains of the tradition architecture since the Edo era was built near Ebisu Shrine of Ikeda-shi, Osaka in the Meiji early years, and it was moved to the bank of a river of the Nishimoto town wild boar name river of same Ikeda-shi to (1892) in 1892, and the name was checked with fabrics for kimono seat. Various things such as young intellectuals' theater, a new school, rakugo, naniwabushi recitation, storytelling, a comic dialogue were played including Kabuki of the barnstorming here, but it was used for the speech society of a constitutional government and the socialism of Yukio Ozaki and Shusui Koutoku. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5571 x 3714Pixels |
It is the fabrics for kimono seat of Meiji-mura Village Museum. This playhouse to leave the remains of the tradition architecture since the Edo era was built near Ebisu Shrine of Ikeda-shi, Osaka in the Meiji early years, and it was moved to the bank of a river of the Nishimoto town wild boar name river of same Ikeda-shi to (1892) in 1892, and the name was checked with fabrics for kimono seat. Various things such as young intellectuals' theater, a new school, rakugo, naniwabushi recitation, storytelling, a comic dialogue were played including Kabuki of the barnstorming here, but it was used for the speech society of a constitutional government and the socialism of Yukio Ozaki and Shusui Koutoku. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Yoshiyuki Hongo floor (the left) of Meiji-mura Village Museum and a house of the Yakumo Koizumi summering (the right side). It is the new home which two ken of the second floor of the Yoshiyuki Hongo floor makes mother and wife Setsuko, eldest daughter Kyoko whom Takuboku Ishikawa leaned on friend Iku Miyazaki of Hakodate you, and lived a family life for the first time in Tokyo from 1909. The woodpecker worked at the Tokyo Asahi Shimbun proofreading department of Kyobashi Takiyamamachi while therefore living a literature life. A house of summering built in the Meiji early years is a frontage5.5m, depthIn Machiya of 13.2m, I set a Japanese-style board long on the entire surface on wooden 2 stories crosspiece tile-roofing, both sides. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Shinagawa lighthouse of Meiji-mura Village Museum. This lighthouse was built in the west end of Daiba of the Shinagawa offing, and it was turned on in 1870 in the Christian era. By light by the oil 100 candelas, high source of light from the ground16m, the distance to arrive of the light are recorded with about 18km in the 5.8m surface of the sea. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Shinagawa lighthouse of Meiji-mura Village Museum. This lighthouse was built in the west end of Daiba of the Shinagawa offing, and it was turned on in 1870 in the Christian era. By light by the oil 100 candelas, high source of light from the ground16m, the distance to arrive of the light are recorded with about 18km in the 5.8m surface of the sea. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5400 x 3600Pixels |
It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
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