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It is the Brazilian emigrant house of Meiji-mura Village Museum. It is the one of the houses which it opens up a dense forest in spite of being a stack, and made a hard fight for the coffee cultivation that the Japanese emigrant that there is this building isn't used to. With hard wood of existing Chisan, the hand by the Japanese carpenter in the settler enters, and a Japanese-style method of construction is used in a roof truss, a coupling, means. On the other hand, I can put it together in the roofs which covered the window which I added the porch which I established in the second floor and a single swing wooden door to, Spain tile climate of the land. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the corridor of the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 3714 x 5571Pixels |
It is the sickroom of the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the relief of the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Japanese Red Cross Society medical center ward of Meiji-mura Village Museum. The outside is based on a design in imitation of Half-Timber. There is an elaborate aperture in the upper part of the louver of the sickroom window, and the decoration of the eaves casts a small shadow. In addition, the ventilation towers on the ridge are unique, too. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the exhibition of the Yuubari coal mine. I dug coal by hand in old days. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Hokkaido |
Size: | 5616 x 3744Pixels |
It is the flow of the Sorachi river. The river where the hand of the person doesn't enter is beautiful. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Hokkaido |
Size: | 3744 x 5616Pixels |
It is the flow of the Sorachi river. The river where the hand of the person doesn't enter is beautiful. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Hokkaido |
Size: | 3664 x 5455Pixels |
It is a world heritage of Kyoto, a roof of Kannondo of Ninna-ji Temple. I assume a Bodhisattva controlling outlook on 1000, Senju eyes a principal idol, and Acala / strengthens both sides as an attendant image of Buddhist statue, and 28 parts of a large number of people are worshiped buildings for subordination. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
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Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a world heritage of Kyoto, a roof of Kannondo of Ninna-ji Temple. I assume a Bodhisattva controlling outlook on 1000, Senju eyes a principal idol, and Acala / strengthens both sides as an attendant image of Buddhist statue, and 28 parts of a large number of people are worshiped buildings for subordination. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
---|---|
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a world heritage of Kyoto, a roof of Kannondo of Ninna-ji Temple. I assume a Bodhisattva controlling outlook on 1000, Senju eyes a principal idol, and Acala / strengthens both sides as an attendant image of Buddhist statue, and 28 parts of a large number of people are worshiped buildings for subordination. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
---|---|
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 3784 x 2880Pixels |
It is a world heritage of Kyoto, a roof of Kannondo of Ninna-ji Temple. I assume a Bodhisattva controlling outlook on 1000, Senju eyes a principal idol, and Acala / strengthens both sides as an attendant image of Buddhist statue, and 28 parts of a large number of people are worshiped buildings for subordination. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
---|---|
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a world heritage of Kyoto, a roof of Kannondo of Ninna-ji Temple. I assume a Bodhisattva controlling outlook on 1000, Senju eyes a principal idol, and Acala / strengthens both sides as an attendant image of Buddhist statue, and 28 parts of a large number of people are worshiped buildings for subordination. The 58th Ninna-ji Temple is done request for departure from of by the charges Emperor Koko, and it is the chaitya of an Imperial Family relationship completed for 888 years in the Christian era. | |
World Heritage | Historic Monuments of Ancient Kyoto |
---|---|
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 5032 x 3472Pixels |