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It is the tea-ceremony room of Meiji-mura Village Museum. After Rikyu, the tea-ceremony room went to the smaller space, and closed form has been succeeded to. However, a trial to throw open is accomplished in thisand builds a making a slip in drawing sliding paper door in one side of the tea-ceremony room of the Rikyu four-and-a half-mat room (regular style of flower arrangement) and keeps a garden alive through the dirt floor where I spread a tile. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
---|---|
Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the state of the town of San Francisco. A direction to leave a car for a rapid slope is different from normal. The building is clean, too. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | USA / San Francisco |
Size: | 5616 x 3744Pixels |
It is a Buddhist image put in temple in Thai Bangkok, Temple of Dawn. When it was made when I looked when gold leaf was delicately left, it must have been a gold Buddhist image. | |
Camera: | Canon EOS-1Ds Mark II , EF 135mm F2L |
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Location: | Thailand / Bangkok |
Size: | 3328 x 4992Pixels |
A world heritage, the main gate of sunlight Tosho-gu Shrine. As for what equal two steps under a frame of "east Teru University honorific title of a Japanese god", the top is a dragon. A bottom "breath." A difference with a dragon of the upper section has a tusk, and there being a nostril to an upper lip without a mustache. A sculpture in both side of a sum is a giraffe. It is an excellent horse that popular names assemble in full force in "dragon of an ornamental piece on a Japanese sword-hilt", the right and left on central part, a bar of a white-painted face. | |
World Heritage | Shrines and Temples of Nikko |
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Camera: | Canon EOS-1Ds Mark II , Distagon 21mm F2,8 |
Location: | Japan / Tochigi Prefecture |
Size: | 4974 x 3288Pixels |
A world heritage, the main gate of sunlight Tosho-gu Shrine. As for what equal two steps under a frame of "east Teru University honorific title of a Japanese god", the top is a dragon. A bottom "breath." A difference with a dragon of the upper section has a tusk, and there being a nostril to an upper lip without a mustache. A sculpture in both side of a sum is a giraffe. It is an excellent horse that popular names assemble in full force in "dragon of an ornamental piece on a Japanese sword-hilt", the right and left on central part, a bar of a white-painted face. | |
World Heritage | Shrines and Temples of Nikko |
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Camera: | Canon EOS-1Ds Mark II , Distagon 21mm F2,8 |
Location: | Japan / Tochigi Prefecture |
Size: | 4992 x 3328Pixels |
I do it after a forest fire of American Yosemite. Because it was the dry season, I burn here and there, and there is a lot of back of a forest fire. Because it is a forest of a premise to burn, I am very different from Japan. | |
World Heritage | Yosemite National Park |
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Camera: | Canon EOS-1Ds EF 17-40mm F4L |
Location: | USA / Yosemite |
Size: | 4064 x 2704Pixels |
I do it after a forest fire of American Yosemite. Because it was the dry season, I burn here and there, and there is a lot of back of a forest fire. Because it is a forest of a premise to burn, I am very different from Japan. | |
World Heritage | Yosemite National Park |
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Camera: | Canon EOS-1Ds EF 17-40mm F4L |
Location: | USA / Yosemite |
Size: | 3992 x 2348Pixels |
A view on the way from the Grand Canyon to Las Vegas | |
Camera: | Canon EOS Kiss Zoom28-105mm |
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Location: | USA / Grand Canyon |
Size: | 2545 x 1687Pixels |
A neat and clean road of Seoul | |
Camera: | Canon EOS Kiss Zoom28-105mm |
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Location: | Republic of Korea / Seoul |
Size: | 2700 x 1820Pixels |
A scene of the Korean Folk Village in the suburbs of Seoul | |
Camera: | Canon EOS Kiss Zoom28-105mm |
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Location: | Republic of Korea / Seoul |
Size: | 2481 x 1777Pixels |
The midnight Christmas tree at my place | |
Camera: | Canon Powershot G2 |
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Location: | Japan / Tokyo |
Size: | 1704 x 2272Pixels |
Allegedly avocado pears. They looked different from those we saw in Japan maybe because those ones were still young. | |
Camera: | Canon EOS Kiss Zoom28-105mm |
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Location: | Commonwealth of the Northern Mariana Islands / Saipan |
Size: | 3005 x 2089Pixels |
At Adashino Nembutsudera Temple | |
Camera: | 20-35mm Tokina AF |
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Location: | Japan / Kyoto |
Size: | 640 x 480Pixels |