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It is the inside of the Ujiyamada post office of Meiji-mura Village Museum. By wooden one-story house copper thatching the roof with shingles, I have the roof of the conic dome centrally and turn down the roof of the hip roof in the left and the right flanks shop and put up the corner tower where the small dome appears in in right and left of the front. The decoration can use the plaster coat and the wall of the preliminary inspection boarded place properly with a half-timber style, and a relief of the plaster coat is put for a carved wooden panel above paper sliding door part. The pivoted window of three steps or four steps is added to a window. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Ujiyamada post office of Meiji-mura Village Museum. By wooden one-story house copper thatching the roof with shingles, I have the roof of the conic dome centrally and turn down the roof of the hip roof in the left and the right flanks shop and put up the corner tower where the small dome appears in in right and left of the front. The decoration can use the plaster coat and the wall of the preliminary inspection boarded place properly with a half-timber style, and a relief of the plaster coat is put for a carved wooden panel above paper sliding door part. The pivoted window of three steps or four steps is added to a window. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Brazilian emigrant house of Meiji-mura Village Museum. It is the one of the houses which it opens up a dense forest in spite of being a stack, and made a hard fight for the coffee cultivation that the Japanese emigrant that there is this building isn't used to. With hard wood of existing Chisan, the hand by the Japanese carpenter in the settler enters, and a Japanese-style method of construction is used in a roof truss, a coupling, means. On the other hand, I can put it together in the roofs which covered the window which I added the porch which I established in the second floor and a single swing wooden door to, Spain tile climate of the land. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is an official dwelling attached to the Kan Island lighthouse of Meiji-mura Village Museum. I put wooden Hiroshi hut on the wall of the building in brick and cover a pantile. The doorway attaches a louver to the double glass door, and after all the window keeps a louver at Age lower window. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | Japan / Aichi Prefecture |
Size: | 15535 x 6164Pixels |
It is an official dwelling attached to the Kan Island lighthouse of Meiji-mura Village Museum. I put wooden Hiroshi hut on the wall of the building in brick and cover a pantile. The doorway attaches a louver to the double glass door, and after all the window keeps a louver at Age lower window. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,31 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 3744 x 5616Pixels |
It is the Rohan Kouda house of Meiji-mura Village Museum [a snail hermitage]. Rohan calls one's house [house (snail hermitage) of the snail] and changes a house without several degrees. I spend this house which there was in the east of the Sumida River in one of those between about ten years from 1897 in the light Christian era. The nail-head-covering ornament which modelled a waterfowl is added to the room with deep eaves and leaves the remains of east of the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,23 |
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Location: | Japan / Aichi Prefecture |
Size: | 5616 x 3744Pixels |
The setting sun sets in Mt. Fuji. I attached some effects. | |
Camera: | Canon EOS-1Ds Mark III , EF 300mm F4L |
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Location: | Japan / Tokyo |
Size: | 3744 x 5616Pixels |
It is a world heritage of Kyoto, the worship place of upper Kamo Shrine. The decoration of New Year holidays go away, and the Treasure Ship is caught. Upper Kamo Shrine named an official name [god of thunder Corporation according to Kamo], and it was built for 678 years in the Christian era by the Emperor Tenmu. It is the deep Shinto shrine of the connection for the Imperial Family. | |
World Heritage | Historic Monuments of Ancient Kyoto |
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Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
It is a world heritage of Kyoto, the worship place of upper Kamo Shrine. The decoration of New Year holidays go away, and the Treasure Ship is caught. Upper Kamo Shrine named an official name [god of thunder Corporation according to Kamo], and it was built for 678 years in the Christian era by the Emperor Tenmu. It is the deep Shinto shrine of the connection for the Imperial Family. | |
World Heritage | Historic Monuments of Ancient Kyoto |
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Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
Location: | Japan / Kyoto |
Size: | 5616 x 3744Pixels |
Shaanxi Provincial History Museum was the Neolithic Age pottery, pointed bottom of the bottle. Around 5000 BC to 3000's. Bound to handle both sides of the water at liberty to put water in the lean to the are easy to have a fine structure. | |
Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
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Location: | China / Xi'an |
Size: | 3744 x 5616Pixels |
China's world heritage, Forbidden City Seung Miyauti Inui, which was exhibited in Bronze. Around 1000 BC, the Western Zhou era weapons, and dart. Archery arrow tip. | |
World Heritage | Imperial Palaces of the Ming and Qing Dynasties in Beijing and Shenyang |
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Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 70mm F2.8 EX DG |
Location: | China / Beijing |
Size: | 1700 x 2052Pixels |
China's world heritage, Forbidden City Seung Miyauti Inui, which was exhibited in Bronze. 1300 BC, Yin Dynasty (Shang) late weapons, and dart. Archery arrow tip. | |
World Heritage | Imperial Palaces of the Ming and Qing Dynasties in Beijing and Shenyang |
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Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 70mm F2.8 EX DG |
Location: | China / Beijing |
Size: | 2192 x 2944Pixels |
A pond located in the city of Hakone. | |
Camera: | 28-70mm SIGMAZoom |
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Location: | Japan / Kanagawa Prefecture |
Size: | 640 x 480Pixels |