Yun Free Stock Photos
Season: Winter, Range: Nearby Part.19
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No.6786 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 3744 x 5616Pixels |
No.6785 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
No.6784 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
No.6783 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 3744 x 5616Pixels |
No.6782 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
No.6781 Torr Hull van
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 3744 x 5616Pixels |
No.6764 The gate of the virtue Kotobuki shrine
| It is the gate of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6763 Virtue Kotobuki shrine Xianning
| It is Xianning of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6758 The gate of the virtue Kotobuki shrine brick
| It is the gate of the arch of the brick of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6756 Virtue Kotobuki shrine old days Mido
| It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6755 Virtue Kotobuki shrine old days Mido
| It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6752 A tripod of the Hall of Central Harmony
| It is a tripod put in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6749 A way of the King of the Hall of Central Harmony
| It is a way of the King in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
No.6745 A way of the King of the neutralization gate
| It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, a way of the King of the neutralization door front. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 4783 x 3636Pixels |
No.6731 Gleam of Christmas
| It is the illuminations of the Christmas tree. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
No.6730 Gleam of Christmas
| The pure white Christmas tree is lighted illuminations. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
No.6729 Gleam of Christmas
| It is the illuminations of the Christmas tree. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
No.6728 An oyster bird
| It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 4112 x 2904Pixels |
No.6700 Senso-ji Temple garden lantern
| It is a garden lantern in the main hall of a Buddhist temple of Senso-ji Temple of Asakusa. Senso-ji Temple is the oldest temple in Tokyo, and the mountain is Mt. dragon. It was founded for 628 years in the Christian era. A Buddhist image hangs in the net of HIZEN HAMANARI / the Takenari brothers who fished in Sumida River, and intellect becomes a priest among Haji of the master who watched this, and it is an opening that held a service for a mansion some other time in a temple. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
No.6693 The lantern of Senso-ji Temple
| It is the carving of the dragon of the bottom of the lantern in front of the main hall of a Buddhist temple of Senso-ji Temple. Senso-ji Temple is the oldest temple in Tokyo, and the mountain is Mt. dragon. It was founded for 628 years in the Christian era. A Buddhist image hangs in the net of HIZEN HAMANARI / the Takenari brothers who fished in Sumida River, and intellect becomes a priest among Haji of the master who watched this, and it is an opening that held a service for a mansion some other time in a temple. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 5616 x 3744Pixels |
No.6670 INARI of Sapmi
| Around the Scandinavian Peninsula northern part, it is a race living in the Arctic Circle whole area, folk costume of SAPMI. I lived by hunting SAPMI mainly on the breeding of the reindeer. These clothes are clothes for summer of the woman whom Ina is called by. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5148Pixels |
No.6668 Ton stiffness
| It is the traditional musical instrument ton stiffness of Ainu exhibited in Ainu race Museum (a five-stringed biwa koto). A unique pattern is carved. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6667 The folk costume of Ainu
| It is the folk costume of Sakhalin Ainu in Ainu race Museum. A unique pattern is impressive. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 4698Pixels |
No.6666 The folk costume of Ainu
| It is the folk costume of Sakhalin Ainu in Ainu race Museum. A unique pattern is impressive. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 4836Pixels |
No.6665 Folk costume of Sakhalin
| It is folk costume of WILTA of Sakhalin of the Ainu race Museum exhibition [SHIUFUIMI]. WILTA caught a salmon / a trout while breeding a reindeer by the race which lived in the Sakhalin central part, and hunting collection was active and lived. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3744Pixels |
No.6662 The folk costume of Ainu
| It is the folk costume of Ainu in Ainu race Museum. A unique pattern is impressive. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3376Pixels |
No.6661 The daily necessities of Ainu
| It is the daily necessities of Ainu in Ainu race Museum. I thin the bark and knit it and process it into a mat or a pillow. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5118Pixels |
No.6660 The folk costume of Ainu
| It is the folk costume of Ainu in Ainu race Museum. The pattern which put a unique straight line together is impressive. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6659 The hunting of Ainu
| It is a design of the hunting of Ainu in Ainu race Museum. I aim at a hibernating bear with a bow and arrow. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3744Pixels |
No.6658 Inau
| It is appliance for the faith of Ainu whom there was in Ainu race Museum, INAU . It was thought that God dwelled in INAU which he sharpened a tree and made. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3744Pixels |
No.6653 The hearth edge of Ainu
| It is the hearth of Ainu in accord with Ainu race Museum. People of Ainu lived such a life in old days. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6652 The woman who refuses ton stiffness
| It is the traditional musical instrument ton stiffness of Ainu played in Ainu race Museum (a five-stringed biwa koto). An elegant tone does it. | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3084 x 4446Pixels |
No.6650 The toy of the shellfish
| It is the toy of Ainu in accord with Ainu race Museum. It seems to be the toy which it gets on a shellfish, and is idle. | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3744Pixels |
No.6647 The folk costume of Ainu
| It is the folk costume of Ainu in accord with Ainu race Museum. The pattern which put a unique straight line together is impressive. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 5616 x 3744Pixels |
No.6641 The cold airing of the salmon
| It is the cold airing of the salmon which was able to hang in the edge of the eaves. It was preservation food of Ainu. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6639 The cold airing of the salmon
| It is the cold airing of the salmon which was able to hang in the edge of the eaves. It was preservation food of Ainu. | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6617 A fleshy plant
| It is the bud of the fleshy plant which grew in the greenhouse. | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Japan / Hokkaido |
| Size: | 3744 x 5616Pixels |
No.6243 The bulbul of the duck
| Mallard splashes a drop of water. I am humorous. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 4648 x 3332Pixels |
No.6242 The itch of the duck
| Mallard lacks in health. I am humorous. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 1708 x 1192Pixels |
No.5971 Humboldt penguin
| Humboldt penguin to the zoo. The penguins in South America, or the Spheniscus humboldti. Humboldt penguin genus belonging to penguins. | |
| Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 50mm F2.8 EX DG |
|---|---|
| Location: | Japan / Chiba Prefecture |
| Size: | 3708 x 2640Pixels |
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